Within the framework of the official collateral programme of events at this year’s Venice Biennale, Rashid Rana and Shilpa Gupta are bringing … I am interested in how it is that people place themselves – because that is very relative; how do they zoom in and zoom out of their locations? Copyright © 2021 The Indian Express [P] Ltd. 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In the 2004 work, lines from a ruled book rise and get transformed into three interwoven languages – English, Urdu and Hindi – all saying, ‘I live under your sky too’. Looking back, these objects seem to have unconsciously become repositories of thoughts and inquiries of that period. When fundamental reforms in the 1990s carried India towards a free market economy, its isolation from the world economy began to wane and its global influence grew. Shilpa Gupta. Noch nicht erschienene Titel. 12:35. Mehr Informationen; Auf den Merkzettel; 2021, Englisch | ISBN 978-3-7757-4552-9 | Erscheint im März 2021. Shilpa Shukla starrer "Criminal Justice" talks about her character in conversation with Sujay Gupta, Tonight at 8pm on Saturday Stardom. These map lines have become so hard – and they have not always been that way: since they were first drawn, they have been porous and things have spilled outwards or inwards. Photograph: Shrutti Garg, courtesy of the artist. Visitors to the exhibition were invited to take a box away – and I was interested in their dispersal. Blame, 2002–04. Shilpa Gupta Speaking Wall, 2010, motion sensor, bricks, LCD screen and headphones. Shilpa Gupta is author of the novel entitled Ananya: A Bittersweet Journey, which was published earlier in the year.We interviewed Shilpa to find out more about the lady herself, to learn about her book, to get some tips on writing and getting published, and to get a sneak preview of her next book. 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For all the latest Eye News, download Indian Express App. Of course, she gives the occasional interview, but not without struggle. jun 20, 2012 . SAT: It’s funny, because places almost always have multiple languages. Interview : Rashid Rana and Shilpa Gupta on ‘My East in Your West’, their joint collateral event at Venice Biennale 2015 My East Is Your West, a collateral event of the Venice Biennale to be held in Palazzo Benzon, is a coming together of two contemporary artists – Shilpa Gupta and Rashid Rana – from India and Pakistan respectively. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. In 2013, when it was shown on the streets in my neighbourhood, some onlookers even drew associations with the 2012 Delhi gang-rape case, very much on people’s mind then. When it is the privileging of form, the privileging of content, and the privileging of the trend. Shilpa Gupta (b.1976) lives and works in Mumbai, India where she has studied sculpture at the Sir J. J. Yet it has become an identity that people want to stand by, and to really look through that lens. Another example would be an outdoor light installation which is currently being shown on Lake Zurich. Does it look like it is art? Like many of her contemporaries, she considers the ‘web’ or internet an indispensable part of present day existence, and, consequentially, prefers various forms of cutting-edge technology as the vehicles for her interactions with the viewer. What I’m interested in are those ways of seeing, and the ways in which they inform how we imagine ourselves. In an interview with Pinkvilla, she said, "I am not watching Bigg Boss 14. Installation 300 x 130 x 340 cm (118 x 51 x 134 in). Fifteen years ago, it was made against the background of religious polarisation. Is it visibly Indian? Frayed Geographies and Fractured Selves: Shilpa Gupta’s Untitled (2014-15) Iftikhar Dadi My East is Your West, Essay, 2016. I have a scar on my back that I have made work about before. Now this gate, or the object, it could be the map of a place, but it could be even be a hole in the brain of a housewife in my neighbourhood, or those who aspire to move outwards and away from a boundary, or that enable a way of seeing. Instead, there are 300. Of course, here, the question of the public is so complicated. Shilpa Gupta is essentially a new media artist. SG: I’m interested in the fact that the viewer can step, very momentarily, into this complicated space and then move on from there. Shilpa Gupta doesn’t like to speak about her art. Click here to join our channel (@indianexpress) and stay updated with the latest headlines. Of course, she gives the occasional interview, but not without struggle. Text is a kind of sign which we beam to each other, and, therefore, it enters my toolbox as a form. Yes, location does have an impact. Shilpa Gupta’s works are like the uninvited guest who barges into your drawing room and refuses to leave. Magazine, Vol 02,No 02, Pg 106-108, 2010. Do you think it’s blessed when you bring it into your home? Shilpa Shinde, Aly Goni, Arshi Khan - TV actors who accused Vikas Gupta of blackmailing him Entertainment Several TV actors have exposed Vikas Gupta’s ugly side on … SAT: This is certainly a work that resisted the white cube, I think. It lies in between these mediations and becomes part of my work, which deals with movement and transformation – restriction, amplification, or misinformation – as, in these, lie stories of desire, aspirations, fears and persistence. ... Shilpa Gupta stands, head cocked, beneath a row of speakers strung from the ceiling. There are, of course, ways in which your work does pull into the white cube from the outside world – but how do you feel it moves outwards as well? Sangita Jindal is an avid collector with a long history of supporting cultural heritage and the arts. the Studio International Foundation, PO Box 1545, Shilpa Gupta. I’m interested in how various subjectivities alter the way we make meaning. Shilpa Gupta explores concepts like nationhood, identity, religion and the human condition. She established the Jindal Arts Centre in 1992 at the National Centre for Performing Art in Mumbai, and is the President of Art India magazine, a leading contemporary art magazine. School of Fine Arts from 1992 to 1997. While there is a central idea in each of them, the text is intentionally fragmented to reflect on the way ‘thought’ can travel, node to node, somewhat also mirroring the hyperlinked, hyper-present, online space. Currently, as it sits on a street in Copenhagen, inhabiting a shipping container, it opens up conversations around anxiety owing to migration into Europe on the one hand, and a double take, on the other, with the current situation where we’ve become suspicious of almost everyone. Interview. Carbon tracings on paper, 76 x 56 cm (30 x 22 in). Does it look like it is from India? Earthy Transitions: India Art Fair 2014 By Yin Ho. Gupta very often insists visitors also take work away from the gallery space itself: small crocheted boxes, or even, large soap bricks on which are embossed the word: THREAT (Threat, 2008-9). An interview with the installation artist Slipa Gupta. What’s the idea behind making the text on the flap board change constantly? I’d made the work after spending time in Srinagar. In an interview with Pinkvilla, Shilpa clarified that she is not watching Bigg Boss 14 and doesn't want to talk about Vikas Gupta. But for this show, Carl Ganem [a young collector] curated the exhibition by picking from the gallery’s collection. I spoke with the … Recent Works of Shilpa Gupta, Yvon Lambert Gallery, Paris Ami Barak, Take On Art Magazine, Review, International Reviews, Vol 1, Issue 01, Pg 142, New Delhi, January-March 2010. 1:08. I suppose, the open-ended and interactive form of the works allows for such wide-ranging readings. Interview. UP Police gives Covid-19 twist to Sholay scene, Jio now offering 1GB data for Rs 11: Here’s what Airtel, Vi and BSNL are offering, Madam Chief Minister movie review: Richa Chadha’s film is strictly passable, Islamic State claims responsibility for deadly twin blasts in Baghdad, IISc researchers develop software platform for tracking missing persons, objects, WandaVision is a game changer for MCU. In an exclusive interview with Lehren shilpa shinde finally opens up about her relationship with vikas gupta. Wheredoiendandyoubegin will be shown next month at Fondazione Merz in Turin, Italy. Locations can, indeed, have different reactions and so does time. Shilpa Gupta: In the 90s, the nature of the work I was doing was different from that of my peers, and, while there was a curiosity about it, there was also a tension – the work is like this. The word political makes me feel uncomfortable – it seems to distance what one does from the everyday, which is where my work stems from. Maybe not better, just … easier. The flap board engages with the idea of distance – socially, economically or geographically – which has been perpetuated, and, on the other hand, the distance we’ve been advised to keep with our hands and face, which is impossible to maintain. The Indian Express is now on Telegram. And I was just amazed at how my work sat so seamlessly in the space. Meanings are socially constructed, and, therefore, understanding signs is fundamental in how meaning gets made. Then, a year later, I showed it in my own city (Mumbai). By Enrico on 20. But also working on the idea: is this craft, this crocheting, also art? Sensex @50,000: Why is it happening, and what next for investors? Gupta creates artwork using interactive video, websites, objects, photographs, sound and public performances to probe and examine subversively such themes as desire, religion, notions of security on the street and on the imagined border. Untitled, photograph, 2006 Turner Road, photographs with sound, 2008. “Don’t Let Them Enter Your Skin, To Know Where You Go, What You Do…” looks at how we are increasingly surrendering our lives to data systems and the risks this entails. It begs the question of whether authenticity is even relevant when it is performed for a global gaze, particularly with what happens to identity politics or conversations around labour and migration. 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