One character who maintains some measure of complexity is Parsons’s jaded, hungry Henry, who gives a meta critique after screening a cut of the movie-within-a-show: “There is something about the ending that I just don’t buy.” It’s a knowing, self-aware line, but in the end “Hollywood” doesn’t heed that voice. Dogs is 100% the show you expect. Our diverse collection delivers the best that Tinseltown has to offer. Action, romance, comedy, fantasy -- Hollywood movies have it all. It’s an unsettling account of the immigrant experience. That’s why people go to the movies, and why they go into the movies. 3. It is determined to haul you to Dreamland, no matter how bumpy the ride. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. Still, “Hollywood,” a splashy, star-studded Netflix mini-series set in the late 1940s and created by Ryan Murphy and Ian Brennan, is aimed squarely at my 12-year-old soul. The Times is committed to publishing a diversity of letters to the editor. Review: 'Hollywood' Is Ryan Murphy's Miniseries For Netflix Some wide-eyed, not-so-innocents try to make it in 1940's Hollywood. Review: 'Hollywood' Is Ryan Murphy's Miniseries For Netflix Some wide-eyed, not-so-innocents try to make it in 1940's Hollywood. Unbelievable review: The new Netflix miniseries, starring Toni Collette, Merritt Wever and Kaitlyn Dever is a uncomfortable, but ultimately necessary experience. Thankfully, we've rounded up the best films available. In his latest series, Ryan Murphy turns his attention to the post-war ‘golden age’ of Tinseltown, where a … It’s meant to be inspiring, but it only makes the viewer more conscious of the contortions the series goes through to tie itself up in a neat bow. This is the path Ryan Murphy walks in “Hollywood,” which he co-created with Ian Brennan, effectively Murphy’s debut as a Netflix contract player. Even if the smaller person is as strong as the bigger person, they still get knocked flying. 02:23. Netflix headquarters in Los Gatos, Calif. (Robert Galbraith/Reuters) Hollywood rails against fracking, but production companies are happy to benefit from subsidies generated by oil producers. Enter none other than Eleanor Roosevelt, who delivers a speech about “what it might mean to a dirt poor little black girl living in a shanty in some cotton town” to see someone like Camille onscreen. The show is willfully naïve and laughably self-satisfied. “Movies don’t just show us how the world is, they show us how the world can be,” says one character in “Hollywood.” The line feels straight out of a Judy Garland-Mickey Rooney vehicle, in which small-town kids conspire to put on a show (sometimes with blackface!). A blunter question also came to mind as I watched: What if a handful of straight (and ostensibly straight) white people were actually willing to risk their careers and reputations in order to create opportunities for the underrepresented? Mr. Murphy and his co-creator Ian Brennan have described the series as a fantastical experiment in “What ifs?” around gender, race and sexuality. 1 star. The Netflix miniseries Hollywood is … A starring role is not in the stars for someone like Camille in 1940s Hollywood. At the Golden Tip service station, somewhere in Los Angeles in the late 1940s, they pump more than gas. For a time, I longed to live in that period. Roosevelt goes on to say that she’s lost her faith in government’s ability to enact change, but what Avis and her colleagues do — make movies for the masses — is the real deal. It's like inertia doesn't exist for Hollywood fights anymore. The Witcher Review: You can relax, Netflix's Witcher series kicks ass. Aisha Harris (@craftingmystyle) is a staff editor and writer in the Opinion section, where she covers culture and society. Let it be ignored. Then there’s The Woods, which is Netflix’s second Polish original series. Once Upon a Time in Hollywood review: A sprawling and indulgent ode to a Golden Age. In real life, Miyoshi Umeki’s win for best supporting actress for the 1957 film “Sayonara” didn’t instantly lead to significantly better parts for her or her peers. Is it possible for a fantasy to be too absurd? The Crown review, series 3: Olivia Colman dazzles, but the jewel in Netflix’s tiara has lost its shine ... Foy was compelling but with a pinch too much of a Hollywood aura. The pleasures of “Hollywood” are in its eye for historical details and its lusty, swellegant period cosplay. Everybody wants to go to Dreamland, right? In this alternative universe, the fictional Ace Studios serves as the backdrop for a series of history-making acts of good will on the part of straight white people, resulting in the production of “Meg,” a feature film penned by a gay black man, starring a black actress and directed by a half-Filipino filmmaker, whose wild success solves racism in show business for good. That’s just the way things were. (McDaniel later turns up, played by Queen Latifah, and recalls waiting to collect her “Gone With the Wind” Oscar in a segregated hotel.). Not to be missed. Hooray for Hollywood 46m. We’re told the story of William Haines, a gay decorator and onetime silent-film star who refused to live in the closet. In post-World War II Hollywood, an ambitious group of aspiring actors and filmmakers will do almost anything to make their showbiz dreams come true. Story lines that start out cynical suddenly turn syrupy. Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram. Henry signs Rock Hudson (Jake Picking), portrayed as a dim-bulb sweetheart. More information Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite - The New York Times Who knew Hollywood even had a breachable reservoir? Filed under hollywood , netflix , TV , 5/7/20 It’s how we end up with, say, the North capitulating to the bruised egos of the side that lost the Civil War, or politicians catering to the religious right in the race to ratify the Equal Rights Amendment. So it is in the series, which becomes a bit like Quentin Tarantino’s “Once Upon a Time … in Hollywood,” except that the wrong to be corrected is not the Manson murders but the generational killing of careers and silencing of voices. Henry preys on his own clients, including Rock, and in a pointed bit of casting, Mira Sorvino, who spoke out against Harvey Weinstein, plays a once-starlet trapped in a sexual arrangement with a powerful producer. ‘E.T. ‘Hollywood’ Review: Ryan Murphy Polishes Up Tinseltown’s Golden Age With his latest Netflix offering, the prolific showrunner revisits 1940s L.A. — but with a modern, inclusive twist 'Hollywood' review: Ryan Murphy's new Netflix mini-series is a full-on disaster. Intelligencer Scrolling through the endless roster of films currently available on streaming networks is a daunting task, which is why we're here to highlight the very best movies on Netflix right now. Rating: 4/5. This Basque-language historical fable about a man who never stops growing took 10 awards at last weekend's Spanish Goya awards. It appears to be giving a one-figured salute to the sky. It doesn’t work here, not because of the fancifulness — you are allowed to take liberties in Dreamland — but because of the story and character strains that “Hollywood” visibly goes through to steer to its conclusion. In post-World War II Hollywood, an ambitious group of aspiring actors and filmmakers will do almost anything to make their showbiz dreams come true. Watch trailers & learn more. "Hollywood" is his second Netflix series for the streamer after "The Politician," which debuted in September. The show’s appeals to the benevolent hearts and minds of “good” people are maddeningly naïve. David Corenswet, Dylan McDermott, Maude Apatow, Jeremy Pope Daren Criss, Jim Parsons and more star in Ryan Murphy's Netflix series about people making it in post-WWII Hollywood. I can only hope “Hollywood” suffers the same fate this offensive series bestowed on actual Hollywood. The movie musical, shot up with Hollywood steroids under Murphy’s direction, strains to replicate the show’s opening exuberance. Though the show took place on Cape Cod, it … He finds a taker in Raymond (the Murphy regular Darren Criss), an idealistic young director who sees Archie’s script as a potential career-maker for his girlfriend, Camille (Laura Harrier). 2020 MA 15+ 1 season Social Issue TV Dramas. We’d like to hear what you think about this or any of our articles. Still, “Hollywood,” a splashy, star-studded Netflix mini-series set in the late 1940s and created by Ryan Murphy and Ian Brennan, is aimed … I can only hope “Hollywood” suffers the same fate this offensive series bestowed on actual Hollywood. ; stock up 16%+ Open Links In New Tab Mobile Archives Site News A review of the six-part Netflix miniseries The Spy, about Mossad agent Eli Cohen, played by Sacha Baron Cohen, and also starring Hadar Ratzon Rotem, Yael Eitan, and Noah Emmerich. In Netflix’s ‘Hollywood,’ One Movie Fixes Racism. Yet he’s one of the lucky ones: He’s white, straight and easy on the eyes. It would appear that no one at Netflix is willing to shape Ryan Murphy’s visions in the way they were at FX. the Extra -Terrestrial’ (1982) Seven years after “Jaws,” Steven Spielberg conquered the … A studio executive asks, why make the audience fall in love with an actress only to have her lose her dream and end it all? The new movie “Hillbilly Elegy” is a series of rotten choices — occasionally by the characters, but mostly by Hollywood. It argues that the path of history was not set by intractable forces but might have been rerouted had a few of the right people done the right thing. This six-part Netflix docuseries is such a good boy. Instead, it comes from an ambitious, if faulty, series that dares to imagine an assortment of characters conspiring to make a movie with a half-Filipino man, a gay black man and black and Asian women in 1940s Hollywood. Posted by 1 year ago. But as far as dreams go, it’s also progress. Hollywood. As Henry Willson — a real-life gay agent and power player — Jim Parsons pays out gleeful barbs like a sarcastic slot machine. There is something to be said for the show’s fluffy confection of ahistoricism when it’s not indulging in myths of racial reconciliation and movies-as-changemakers. “9-1-1” also reminds us that as bad as things are, they are still probably preferable to being literally thrown under a bus. But as they say, you live and you learn — and what I learned was that in reality, there was little glamour in being a black girl anytime from the 1930s to the 1960s. Within just a year, it kick-starts a wave of major films starring women and people of color and “racial protests across the country simply melt away,” according to a fictional newsreel. Those films were borne of hard-won fights for equality. Filed under hollywood , netflix , TV , 5/7/20 Made almost entirely in black and white, documentary-style, at a length of more than three hours, "Schindler's" -- with a cast of thousands, and set in and around Cracow -- is the first major Hollywood film seeking to depict the enormity of the Holocaust. Characters develop consciences and talents they had shown little evidence of. His House movie review: Debutant director Remi Weekes’ Netflix film is more than just a haunted house story. JOIN NOW SIGN IN. This has been as true of the entertainment industry as it has been of government — which is why it remains a big deal when a “Black Panther” or a “Crazy Rich Asians” or a “Wonder Woman” gets made, much less finds success. Clocking in at close to three hours, Once Upon a Time in Hollywood is long-winding and oscillates wildly. The happy resolutions conjured up by message films from the “Hollywood” era almost always benefited straight white people and no one else. But with Tarantino’s mastery of craft, the film never once feels like a drag. That’s because history has proved that even for those who have been sympathetic to the causes of the marginalized, there’s only so much power they are willing to concede. (Paget Brewster is a bawdy hoot as Tallulah Bankhead.) Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is ... once upon a time in hollywood review nytimes: sharon tate: once upon a time in hollywood review new york times: margot robbie: 3 results. This lavish counter-history looked set to dive deep into the murk of … A part of me can’t ignore what it feels like to see this Technicolor spectacle populated by these faces and experiences, to see the 1940s depicted through a 2020 lens — browner, less sexually repressed, more women calling the shots. That’s one way to describe it. I devoured each episode anyway. This is “Hollywood” at its most absorbing, nostalgic yet caustic. Dylan McDermott, left with David Corenswet, plays Ernie West, a former silent-film star who runs a gigolo operation that doubles as a gas station. In the fourth episode of Netflix’s Hollywood, First Lady Eleanor Roosevelt visits the fictional Ace Studios to implore its higher ups to cast a … Halle Berry’s best actress win for “Monster’s Ball” didn’t suddenly open doors for other black women in Hollywood. But “Hollywood” asks: What if they weren’t? Archived. “Hollywood” joins a boomlet of other TV alt-histories, like HBO’s “The Plot Against America” (set in a fascist 1940s United States) and Apple TV Plus’s “For All Mankind” (which imagines how society and world history might have changed if a woman had set foot on the moon in 1969). We meet Anna May Wong (Michelle Krusiec), robbed of a potential Oscar role in “The Good Earth.” A bacchanal at George Cukor’s mansion shows gay Hollywood at play. 38.3k. This is how Jack (David Corenswet), a war veteran who wants to be a screen star, ends up at the Golden Tip in Netflix’s “Hollywood,” hustling to support his pregnant wife (Maude Apatow) while he chases his other hustle. Top News Videos for once upon a time in hollywood review. Then it lurches, halfway through, into a pep talk about what some kids can accomplish if they gather up their moxie and put on a show. Diversity wins in this Ryan Murphy miniseries starring Jim Parsons, … /r/all. Laura Harrier on Rewriting Hollywood in Netflix’s ‘Hollywood’ Set in the 1940s, the series envisions an alternate history for women of color in the movies. “Hollywood” is emphatic about what “Meg” is able to achieve for those like Anna May and Avis. Here is a fantasy set in the past where women, people of color and queer characters ultimately win, too. Netflix Announces 2021 Film Slate. R ain falls in the Almería desert. What if Hollywood legends like “Rock Hudson and Anna May Wong and Dorothy Dandridge had had happy endings?” is how the actor Jeremy Pope recalled the story being pitched to him in an interview with Elle magazine. 2 Episode 1: Did Golden Tip Gas really exist? She doesn’t want to cast the black actress Camille Washington (Laura Harrier) as the lead, even as she agrees that Camille’s screen test is the best. Apr 30, 2020 - Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost. Additionally, Archie Coleman (Jeremy Pope), the gay black screenwriter, walks the red carpet hand-in-hand with a young, then-unknown Rock Hudson and announces him as his boyfriend, thanking him during his acceptance speech. The problem: She’s also black, typecast in supporting roles as a comic-relief maid and constantly badgered to read her lines like Hattie McDaniel. 12:01 AM PST 1/13/2021 by John DeFore FACEBOOK TWITTER EMAIL ME Anthony Mackie plays an android Marine in Mikael Hafstrom's Netflix film. (His 2019 Netflix … The season premiere has several. The new French series Inhuman Resources (Dérapages), starring the football star, Eric Cantona, lands on Netflix on May 15. But Archie, Camille and Anna May also get to pursue their dreams and see their success open doors for others. Netflix is a trove, but sifting through the streaming platform's library of titles is a daunting task. They survive, they flourish, they are happy. The production takes on a forced sunny tone, as if the whole series had landed in Oz and the screen turned from black and white to color. This plot mechanism reaches its eye-roll-y apex in the fourth episode, in which Patti LuPone’s Avis Amberg takes over as head of the studio after her husband suffers a heart attack. Close. Avis is worried about the inevitable backlash — that she could bankrupt the studio, that southern theaters will boycott a movie featuring a black actor in a nonsubservient role. Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is satirical but sweet, weary but vengeful. Ryan Murphy’s new period melodrama, debuting Friday on Netflix, uses real figures from the past to tell an invented history of 1940s Hollywood. Yes, the Avises of the world are able to pat themselves on the backs for doing the right thing. Don’t folks deserve to leave the picture show with some hope? Jack is struggling, unconnected and of questionable talent. Starring a stunning ensemble, led by Shefali Shah, Rasika Dugal and Rajesh Tailang. Based on Coben’s 2007 novel, it spans a quarter-century, bouncing back and forth from 1994 to 2019. The season premiere has several. TV review Netflix. The argument is framed purely in do-gooder terms — an opportunity to “change the world,” to look back on this moment years from now knowing they “did the right thing.”. Patti LuPone is a regal delight as a studio executive’s wife who hires Jack as a gigolo. The Golden Tip is run by Ernie (Dylan McDermott, looking like the porn version of Ronald Colman), a former silent-film star with the most conspicuous cough since “La Bohême.” It employs Archie (Jeremy Pope), a gay black screenwriter trying to sell a script based on the suicide of the starlet Peg Entwistle, who leapt to her death from the H in the Hollywoodland sign. “9-1-1” also reminds us that as bad as things are, they are still probably preferable to being literally thrown under a bus. The Golden Tip is based on an actual gas-station brothel operated by Scotty Bowers, one of several repurposings of history in the series. Both counterfactuals are played out in “Hollywood,” but they rest oddly alongside one another — one is playfully subversive; the other a retread of simplistic progressive logic about how to combat systemic oppression. The Netflix miniseries Hollywood is … Netflix Netflix. Sweet Magnolias review – low-stakes Netflix drama is a syrupy watch. ... Netflix's The Midnight Sky review. (The last episode is titled “A Hollywood Ending.”). Hooray! Interview with Reed Hastings, on the future of Hollywood, the US election and social media, his new book about Netflix's aggressive company culture, and more More: New.blicio.us . A pattern develops throughout the series: Someone white or white-passing makes an impassioned plea for a more powerful white person to take a chance on hiring a person of color for a role. With David Corenswet, Darren Criss, Laura Harrier, Joe Mantello. Hollywood’s Hollywood, circa 1947, is a place where racial prejudice and homophobia run rampant and where fresh-faced young people arrive full … 1. Expand. The poster for “Meg,” the fictional film being produced in the Netflix series “Hollywood.”, From left: Jeremy Pope as Archie Coleman, Jake Picking as Rock Hudson, Samara Weaving as Claire Wood, Laura Harrier as Camille Washington, Darren Criss as Raymond Ainsley and David Corenswet as Jack Castello in “Hollywood.”, Darren Criss as Raymond Ainsley, Laura Harrier as Camille Washington and Mira Sorvino as Jeanne Crandall in “Hollywood.”. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. Chadwick Boseman's Ma Rainey's Black Bottom review. And here’s our email: letters@nytimes.com. The scene is just like the “message pictures” from that era: earnest, unintentionally self-aggrandizing, wildly oversimplifying complex real-world issues like racism. “American Crime Story: The Assassination of Gianni Versace.”. Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. UNLIMITED TV SHOWS & MOVIES. Ryan Murphy’s revisionist series is laughably self-satisfied and willfully naïve about complex real-world problems. And yet I keep coming back to the happy endings of the “Hollywood” characters. At the same time, it echoes what hasn’t changed, especially regarding sexual abuse. Lauren Feiner / CNBC: Netflix reports Q4 revenue of $6.64B vs. $6.63B est., up 21.5% YoY, and global streaming paid memberships of 203.7M, up 8.5M vs. 6.5M est. The often brilliant TV creator, and one of the hardest working men in the business, has produced two series under his Netflix deal, the frustrating “The Politician,” and this week’s seven-part limited series that reimagines the Golden Age of Hollywood in a way that … Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite. Let it be ignored. Hollywood review: This big shiny mess shows Netflix has more money than time. Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. Tiny by Sarah Midkiff I was 12 years old when I first fell in love with the dreams spun by “classic” Hollywood: the myth of simpler times, the seductive glamour of men and women who often spoke in a quasi-British accent. Drive up, tell the handsome attendant “I want to go to Dreamland,” and he’s yours, for a fee. Hollywood review: Intriguing Netflix miniseries dreams up alternate film history. A mummified hand gradually emerges from the sluiced sand. It serves up burnished postwar glamour while resurfacing the stories and bodies sacrificed to maintain the movies’ homogeneous sheen — the artists of color, the closeted executives, the overlooked women. Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. Netflix supports the Digital Advertising Alliance Principles. Who knew Hollywood even had a breachable reservoir? Close. The seven gilded episodes of “Hollywood,” arriving Friday, introduce a broad cast of would-bes and coulda-beens — black, gay, female — in a vivid but unconvincing ensemble fantasy about who gets to go to Dreamland and who has to keep dreaming. Laura Harrier and Darren Criss in a scene from “Hollywood,” which imagines a different, more inclusive history of the postwar movie business. Learn more about our use of cookies and information. https://www.digitaltrends.com/movies/best-movies-on-netflix The final episode takes a bold and bonkers leap in its rewrite of history, making “Meg” not only a box office hit but also an Oscars sensation — Avis, Camille and others, including Anna May Wong (cast in a supporting role in “Meg”), all take home awards. The Times was there as Ryan Murphy’s new Netflix series, “Hollywood,” filmed its rousing finale, set at the 1948 Oscars ceremony. I also kind of enjoyed it. The streaming service’s movies feature Oscars winners and box office stars and are a reminder of its power in a Hollywood that has been irrevocably changed during the pandemic. Then “Hollywood” takes a turn, which it seems to rationalize, in a meta way, through the discussions over Archie’s script. The bid to make Archie’s movie starts as a glitzy, funny, gimlet-eyed dissection of bigotry and power. It’s a noble thought and an audacious premise. Hooray! Here are some tips. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. Ms. Harris is an Op-Ed staff editor and writer. A staggering 22 years ago, the teen drama series Dawson’s Creek introduced many young Americans to the sun-dappled shores of the Carolinas. (Lana Turner’s discovery story it is not — though Schwab’s drugstore is just a short hop away.). Netflix just released a new 10-episode series that gives viewers a peek behind the scenes of what it really takes to be a professional ballet dancer. This lavish counter-history looked set to dive deep into the murk of Tinseltown. Created by Ian Brennan, Ryan Murphy. A review of Dogs, the six-part Netflix docuseries about the relationship between humans and their furry best friends. “Hollywood” is the latest from Ryan Murphy and Ian Brennan, a co-creator, with Murphy, of “Glee.” Beyond that musical hit, Murphy has often explored ambition and its discontents, in series as varied as “The Politician,” “Pose,” “Feud: Bette and Joan” and “American Crime Story: The Assassination of Gianni Versace.”. Delhi Crime review: Wrenching, shocking; the best Indian Netflix show since Sacred Games. "Hollywood" has its heart in the right place, and if you have a love for movies' Golden Age, there's a whole lot of meticulously shot nostalgia to savor. Don’t miss it. Review: ‘Hollywood’ rewrites Tinseltown’s racist, sexist, homophobic past. Hollywood review: This big shiny mess shows Netflix has more money than time. I write about the television business. Group of aspiring actors and filmmakers in post-World War II Hollywood try to make big... 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